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401Concerts 4 (Composers v/d Maand)
18 December 2016, 401Concerts 4 live from the OBA Concert Hall The Hague, with opera arias & duets from the archives of the Nederlands Muziek Instituut. Soprano Barbara Schilstra, tenor Hendrik Vonk, bass-baritone Andreas Goetze and the 401DutchOpera Choir under Frits Muusse and pianist Wolter Willemsen shall perform arias and duets from Cornelis Dopper's De blinde van Casteel Cuillé (1894), Willem Landré's De roos van Dekama (1896), Daniël de Lange's Lioba (1906), Jan van Gilse’s Helga von Stavern (1911), Gerard von Brucken Fock's Jozal (1912), Emile von Brucken-Focks Seleneia (1914), Julius Röntgen's De lachende Cavalier (1918), Jan Brandts Buys’ Die Schneider von Schönau (1916) and Richard Hageman's Caponsacchi (1932). A unique programme with modern day creations. Caponsacchi is the only Dutch opera ever performed at the Metropolitan Opera New York. Lioba is on text by the celebrated Dutch author Frederik van Eeden, De roos van Dekama is after Jacob van Lennep. Röntgen and Dopper are composers known from the golden balustrade of the Concertgebouw. The Helga von Stavern and Jozal duets are absolute world premières! Downloadable from december 20.
Daniël de Lange: Lioba (Opera van de maand)
Daniël de Lange: Lioba (1906)
In the wake of 401Concerts 4 in the OBA Concert Hall The Hague (Spui), December 18 2016, our opera of the month is Daniël de Lange's dramatic scène Lioba (1906). De Lange envisioned Lioba as his ulimate masterpiece, which could no longer be a mere formula work as his youth-opera The Fall of Kuilenburg. Lioba was crafted along the highest possible artistic standards. The text was a selection from the famous scène by Frederic van Eeden and unexpectedly old De Lange manifested himself as a revolutionary (anti-)dramatic composer alongside, say, Satie!! The premières in The Hague and elsewhere met with public acclaim but, except for one, the reviews were among the most devastating ones in all Dutch musical history. De Lange's colleague 'composer-critics' either did not understand him or they had some scores to settle with him. Either way, they were effective: nothing more was heard of Lioba until the intimate introduction was revived at 401Concerts 3. This beautiful piece prompted us to bring the apex of the duet between Sancolf and Lioba in 401Concerts 4, with Barbara Schilstra as Lioba and Hendrik Vonk as Sancolf. Download from 20 December onwards.
Further reading </p
FALSTAFF RIVISTO
Opera Spanga and the Rosa ensemble give Verdi's opera a short hunderd and thirty years later a complete update: Falstaff becomes Falstaff Rivisto. Rosa's composers 'decomposed' Verdi's masterpiece. Acoustic sounds are mixed with electronics, The opera in set against a stage of four centuries of art history.
Caroline Ansink
Caroline Ansink
a biography of the composer of Stuyvesant Zero can be found here.
NOW ONLINE: exclusive interview with Caroline Ansink, with unique sound & video fragments of her music.